Representasi budaya Melayu dalam video musik

  • Fenny Tri Siah Universitas Gadjah Mada
  • Aprillia Firmonasari Universitas Gadjah Mada

Abstract

This research is a qualitative descriptive study with song lyrics and audio-visual activities in music videos as codes for the object of research. The observation method is conducted to collect the research object which is further analyzed based on semiotic studies by applying Umberto Eco's theory. This study aims to classify the code and describe the relationship between content and expression in the code in order to understand the intentions of the songwriters represented through the embodiment of Malay culture. The result shows songs lyrics, music, traditional customs, nature, traditional house, and accessories as a code containing content and expression to represent Malay culture. The connection between content and expression found in this research shows difficilis ratio which requires encyclopedia and understanding to understand the the intentions of the songwriters.

References

Afifah, Y. (2022). “Representasi Persatuan dan Kesatuan dalam Lagu “Tahayya” World Cup
2022 (Analisis Semiotika Rolland Barthes).”
Alipya, R., & Nurfauziyah, D. I. (n.d.). “Pesan-Pesan Motivasi dalam Lirik Lagu “Diri”
Karya Tulus: Analisis Semiotika.”
Amir Karim, M. (2020). “Analisis Nilai Motivasi dalam Lirik Lagu “Meraih Bintang” Karya
Parlin Burman Siburian (Analisis Semiotika De Sausure).” Jurnal Muara Ilmu Sosial,
Humaniora, dan Seni, 4(2), 402. https://doi.org/10.24912/jmishumsen.v4i2.8821.2020.
Harnia, N. T. (2021). “Analisis Semiotika Makna Cinta pada Lirik Lagu “Tak Sekedar Cinta”
Karya Dnanda.” Jurnal Metamorfosa, 9(2), 224–238.
https://doi.org/10.46244/metamorfosa.v9i2.1405.
Hermawan, G.S. (2013). “Jpop: Fenomena Englishization dalam Lirik Lagu Berbahasa
Jepang,” Semiotika, 4(1):102—109. https://doi.org/10.19184/semiotika.v14i1.30112.
Lutfi, M., & Zaidan, N. A. (2022, February 9). “Eksistensi Budaya di Tengah Generasi
Milenial.” Bhaskara.Id. https://bhaskara.id/eksistensi-budaya-di-tengah-generasimilenial/ [diakses 12 Januari 2024].
Nathaniel, A. & Sannie, A.W. (2018). “Analisis Semiotika Makna Kesendirian pada Lirik
Lagu “Ruang Sendiri” Karya Tulus,” Semiotika, 19(2):107—117.
https://doi.org/10.19184/semiotika.v19i2.10447.
Nugroho, A. (2017). Komunitas Sastra Jawa: Penciptaan, Penerbitan, dan Pergelaran
Tembang Macapat,” Semiotika, 18(2):168—180.
https://doi.org/10.19184/semiotika.v18i2.6540.
Putra, D. K. (2019). “Meneguhkan Melayu di Abad Milenial.”
https://artikula.id/dharmakp/meneguhkan-melayu-di-abad-milenial/. [diakses 12
Januari 2024].
Sanusi, I. (2017). “Globalisai Melayu: Peluang dan Tantangan Membangun Identitas Melayu
dalam Konteks Modernitas.” 01.
Sara G., B., & Randall E., A. (2017). The Philosophy of Umberto Eco. The Library of Living
Philosophers.
Sunandar. (2015). “Melayu dalam Tantangan Globalisasi: Refleksi Sejarah dan Berubahnya
Sistem Referensi Budaya.” Jurnal Khatulistiwa – Journal of Islamic Studies, 5, 60–73.
https://doi.org/10.24260/khatulistiwa.v5i1.266.
Thamrin, H. (2018). Antropologi Melayu (1st ed.). Kalimedia.
Trinanda, E. R., & Abidin, S. (n.d.). Analisis Semiotika dari Lirik Lagu “Esok Kan Bahagia”
yang Dipopulerkan Oleh Group Band D’masiv.
Umberto, E. (1976). A Theory of Semiotics. Indiana University Press.
Published
2024-07-01
How to Cite
SIAH, Fenny Tri; FIRMONASARI, Aprillia. Representasi budaya Melayu dalam video musik. SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik, [S.l.], v. 25, n. 2, p. 215-230, july 2024. ISSN 2599-3429. Available at: <https://jurnal.unej.ac.id/index.php/SEMIOTIKA/article/view/46863>. Date accessed: 03 july 2024. doi: https://doi.org/10.19184/semiotika.v25i2.46863.